Sunday, November 26, 2023

"Water"

 Water...

 


In my lifetime the first person I knew to be in into Rock music was my cousin Charles.  He was my dad's first cousin, but younger that my dad by maybe 15 or so years. Charles was at one point a talented Baseball player and a drummer, but the characteristic that defined him over all other things for period of my life where he was present on a regular basis, was his alcoholism. There's nothing good to say about it, and it doesn't reflect well on my childhood that from age 11 onward I was the main person in my household who would have to humor his inebriated mood swings and disenchanted solitude.

I know he was proud that he'd influenced me musically, in so much that I never hesitated to embrace the power of music outside of what had been coded as culturally-appropriate for a young black kid in in the 80s and 90s. My passion for music became a path for him getting to hear things he otherwise would not have, and many a time the payment for the general labor he would undertake for my parents would be rendered via his drunkenly strong-arming me into giving him some of my cd collection. This was before audio ripping and CD burners were available, and he was biased against cassettes.

There were periods of sobriety where he and I would talk and I would be genuinely happy to take one of his late night calls. I can't even remember what was worth talking about. But the simple fact that there was a period when we spoke and he was actually sober was a radical and positive change, brief as it was.

By the time I went away to college I'd gotten better about asserting myself, and had also gotten to the point where I'd used Columbia House and BMG to expand my collection of CDs, primarily Hip Hop at that point, to the point that I was happy to give him some of the CDs I'd ordered that had underwhelmed. My tastes had gotten so obscure by the time I got home from college, he didn't have an inclination to ask me for anything. I'd become a musician in that time, and was working my way through building a songwriting craft. It was at that point that the men who had been around in my adolescence on their own terms, actually made an effort to support my pursuit of muse.  


My father bought me a 4-Track recorder one Christmas.  My stepfather gifted me a combo (bass) amplifier to play my acoustic electric guitar through.  And Charles had come into possession of a Bass guitar, which he didn't give to me, he traded for CDs. By that time I had also spent 10 months running a record store in college, so I was sitting on a lot of music, so it was an easy trade.  Then I put a few hundred dollars into repairs to get that bass in working order. Eventually it would find its way on the Four Track recordings that I would circulate to my dad, and he played them for everyone he could find, to my chagrin. Charles was as encouraging as my dad when it came to my music. It's tragic I never really ever got to hear him play drums. He only ever made it to my house a couple of times, and I wasn't able to really get a chance to jam with him. He wasn't that enthusiastic about it, as I'm sure it had been decades since he'd actually played.

Music became my vice in life, alcohol was surely his. I often think about how much more healthy my childhood could have been, and how ambitious I would have been if the people I grew up with, who I knew to be musically inclined, would have been compelled to share their talents with me. In the case of Charles, could that have helped steer him away from habits that were no doubt going to contribute to his demise some day? When I first heard about the troubles of Malik B. aka M-Ilitant of the Roots, and how they inspired the song that this post is titled for, how substance abuse had derailed his prospects in life, it spoke to the lifetime of enabling I witnessed with my cousin, the way people would contribute to his vices as an inexpensive way to get him to do hard labor they were unwilling to have done by a stranger at market value. Because of a lifetime as a witness to all this I can credit Charles for my willingness to follow my own muses musically, and my sobriety outside of the occasional social drink for special occasions.

More often than not, my cousin Charles was the most generous person I knew when it came to giving of himself, but for some reason unbeknownst to me, he leaned on a destructive vice to pass his idle time, and it was not good for his spirit.  In a horrible turn, I found out he had a week to live, at best, on 10/27/23, and by 1AM 10/31/23 he had passed away. It happened before anyone from my immediate family, or those that I knew to be close to him, could gather their thoughts and muster the will to see him in hospice at home, medicated for the pain, because, like my father, my maternal Uncles, and my cousin Joe, Cancer had taken hold of him. Pain management for terminal abdominal cancers that have spread typically necessitates heavy opiates and can render the patient incoherent. Which brings us back to the song at hand because they give you the strongest possible dose of the pain killer as frequently as they can without causing you to OD. It's not how any of my kin wanted to go out, but for those of us who survive them, let alone those of us who were at their bedside, it was the only way for them to go peacefully. Because they no longer had a choice, something else had already sealed their fate.

I was once of a mind, which I considered dark humor in my youthful ignorance, that if my mortality were to be truncated and my days shortened, I would indulge all the things I'd forgone. Having lived to see how naive that viewpoint is, and how cruel the irony stung when I was witness to End-Of-Life care, I disavow myself of that sentiment wholeheartedly.

The emotions in this song are a whirlwind of all sorts.
Such is life.
It is what it is and everything is everything.
What was it Bruce Lee said?






Thursday, May 21, 2020

Poetic License - In Other Words #5

It's been a while. Not much has felt worth my attention or worthy of refinement in the musical realm. But it dawned on me that this would be a viable format for my plot revision ideas for movie franchises I was less than impressed with. This won't be fan-fiction, just a pitch.  That Said:

SPOILERS FOR TERMINATOR-DARK FATE
At least inferred.

My proposotion is this, the film series returns to it's singular horror roots, but it's tone shifts back to a slow-burn suspense filled chase.

We can keep the opening scene of Terminator Dark Fate. 
In this "soft reboot" Sarah Connor is stalking other Sarah Connors, trying to find ones with sons named john. She's returned to leaving her voice memos as seen at the end of the Terminator. We learn through these recordings that she is trying to right/ write the future by finding and preparing John Connor to lead the resistance, be it her son, or another Sarah Connor's.

The core premise is that her psychological instability has pushed her to the brink after so much trauma but the ceaseless threat of the future has pushed her to carry on.

This Sarah Connor becomes a unifying character, in that she can actually encounter our varying John Connors in early stages of their lives to inspire them to become resistance fighters with no knowledge of each other such that Nick Stahl's John and Christian Bales can exist in the same timeline along with the Jason Clarke and Thomas Dekker. There will be a cuckoo's egg undercurrent in play.

Her Sarah has foreknowledge their Sarahs will not, so her motivation will be to impart that foreknowledge to them, which Skynet will be trying to stop, by finally Terminating Sarah, and returning to terminating other Sarahs and Johns.





Friday, December 14, 2018

2019 Albums to Look Forward to - First Quarter

January


4th


11th


18th

Juliana Hatfield - Weird
Maggie Rogers - Heard in a Past Life
Pedro the Lion - Phoenix

25th

Kid Koala - Music to Draw To

February


1st

The Moth & the Flame - Ruthless
Le Butcherettes - bi/MENTAL

8th

Memphis - Leave With Me

15th

Copeland - Blushing (14th)

22nd

Murray A. Lightburn - Hear Me Out


March


1st

Citizen Cope - Heroin and Helicopters
Weezer - The Black Album
Gary Clark Jr. - This Land

8th

Patty Griffin - S/T
Pinegrove - Skylight I & II

15th


22st

American Football - III

29th

Owel - Paris
Ohtis - Curve of The Earth
UNKLE - The Road Two / Lost Highway
Son Volt - Union
Steve Earl & The Dukes - GUY

April


5th


12th

Glen Hansard - The Wild Willing
Band of Skulls - Love Is All You Love
Broken Social Scene - Let's Try the After - Vol. 2
Damien Jurado - In The Shape of A Storm

19th

Ryan Adams - Big Colors (postponed or Cancelled)

26th

Spotlights - Love And Decay
Local Natives - Violet Street
Lamb - The Secret of Letting Go
Guided By Voices - Warp and Woof
The Cranberries - In The End


Sunday, March 18, 2018

How I've Grieved The Loss of My Father

My Grieving Process in over the course of my lifetime:

My father began preparing me for his death when I was 10 years old after he had a health issue. I'd lived in fear of his being killed in the line of duty all my childhood, be it with the PD or should his reserve unit be deployed.
x



Dad eventually retired from the PD, didn't get deployed during Operation Desert Shield or Storm, & took a Security job in a safer environment. Still I had been conditioned to expect his death. It was ingrained in our relationship. The specter of death loomed large.


When I was 19 & the staff at my dorm came to my door & told me to call home when I slept through incessant ringing, I was primed for bad news about him & I swear my first words were, "Who died?" It was my nearly 5 year old niece.


My Dad made the 6 hour round trip with his first cousin, the indispensable Charlie Brown aka Cousin Charles, to get me. I was glad he was alive, but the loss of my niece crushed our family as it brought us together. Think about it.


We grieved HARD, broken throughout. The loss of that child put the cumbersome hyper-consciousness of my Father's, & my own, mortality in stark relief. It had to be gotten over for sake of moving forward & supporting the collective family.


Then came the next health scare for my father, followed by another, the most dire he'd ever faced, both within a years time. Suddenly the looming threat had manifest as the reaper placing his chessboard in your path. My father's life now subject to timed turns of play.


For all the grim reality & melancholy that comes with mourning one's passing before it had come, my father & I were vigilant and exuberant about the things we love, & though weakened by the fight to maintain his health often, he focused on the Living & the Joy.


Then death came calling Elders and Peers, & with fewer pieces on the board, every move was more consequential, be it deliberate or haphazard. Then came more mortifying health news coupled with immediate reassurances, & residual complications.


Then came another bit of dire news, & not much later a bold choice to pursue a life change, relocation, that would separate me & my father such a distance that my economics would render his departure a likely farewell.


It was when his relocation was affirmed that the grieving process began for me & my focus shifted to manifesting my appreciation for his efforts, & cognizance of his mortality in actions that would help him reach his chosen destination.


But he couldn't shake the feeling he wasn't going to make it. The journey from his home seemed snake-bit & he likened himself to Job. The decline from health to fragility was plotted an easily discernible downward trajectory.


Unfortunately for us, the despair of my father's situation & my role as support negated any discussion of his demise, as his state of mind was still a factor in any potential recovery from the nagging ailments.


But it couldn't be denied any longer, & as others got involved & things took a turn for the worse, I had to acknowledge a lifetime of sullen resignation on both our parts, he to mortality, mine, to my inability to shift focus from that in our relationship.


So for me, everything I was doing to help my father relocate was part of letting go of my father being a part of my now, & the indelible existence we shared as father & son becoming part of eternity across time as space.


So when my father told me he was ready to let go. I was ok with that. That I had to assert to him that I did not bear grievance against him for doing so, & that I loved him & accepted his choice, That evoked my tears. That my support of His will escaped his view.


Having cleared the air I left his side to pick up some things for his care that would make it more comfortable for him. I was also tasked as messenger, a role I was familiar with. I fully expected another morning with him would come, but it did not. He was gone.


I returned to the hospital to see my father just as they were preparing to transfer his body from his bed to the gurney. They gave me the room. It was the first time I saw someone who was deceased outside of at a wake or funeral in my life.


The light of life was obviously gone, & much like when I was at the first wake I can remember, near abouts age 6-7 years old, I got the sense it could return in an instant to the body before me. I checked myself & said "He's not here anymore... Bye Dad, Love you."


There was no sadness in me, no joy, just acceptance. My father was gone, & I was not to precede him in passing, so I was meant to be witness. It is my reality. The sadness struck when a greater reality outside of my father & I became unavoidable.


When I was fresh out of high school, I ran my mouth about every thought, regurgitated every so-called wisdom I heard, offering platitudes as insight and consolation out of naive sympathy & projection instead of true empathy.


Then as tragedy after tragedy struck my own family & friends, my study of faith, introspection about life experiences, muted my tones, weighted my words, until the reflex to be quick to comfort turned to a muted hush.


As people I know & cared about lost loved ones, despite having been conditioned to dread their imminent passing, my parents survived, my siblings survived. To speak on someone else's grief felt wrong to me. I was so blessed, so grateful for it.


So in what may have been a gross over-correction I vacillated from avoiding those grieving or grieving myself, or stumbling over myself every time my heart was heavy with empathy but I felt as if I was intruding by projecting that feeling outward.


And this went on for years, me at a loss as to how to address the bereaved in a way I could reconcile with my shame for my cockiness as a teen, & my experience & melancholy as an adult, accepting my time with my loved ones has ever encroaching mortal limits.


I knew wholeheartedly that if I let myself I could reflect the emotions of my mourning friends & recognize myself in their pain from my own experience. And yet I was blessed with my parents & immediate family, & cherished that blessing.


I learned to find resolve in honoring & memorializing the dead from my father by virtue of him making that his profession for the last years of his employment.  It helped me realize that innate sense of purpose is what helped me turn the corner on grieving my niece.


Nevertheless, I could no longer escape the reservoir of emotions I had stored up, the withheld sense of kinship & pain with all my friend who grieved openly as I "Stayed Strong" & or silent. I would have to tell them how I felt, knowing I'd be in their shoes.


Then I thought of every friend of my father I would need to reach out, because I respected & admired them all by virtue of how much they respected & admired my father, & thus encouraged me. Now they would be brought to tears before me for the 1st time in my life.


The magnanimity of my father loomed large, & my commitment to honor that kinship he shared, the love that was reciprocated between he & his friends & family meant I would have both purpose & pathos by which I might actualize my mourning.


So that is what I have done, & in doing so I have found resolve & resolution. My father built many communities of friends & family, their structures often independent, yet sharing a central cornerstone. Flawed & human as he was, he held it up as long as he could.


My father built a tent, & knew one day he would greet the sunrise for the last time, & I remain as his shadow cast upon the earth, surveying those in the shadow of the canopy he provided in all he did.


So I will say the goodbyes my father wasn't able to, & share the light rendered upon me from the best of him. There will no longer be a barrier between my heart & my friends for fear of my infringing on their grieving. I have been released. I can let go.

Tuesday, November 14, 2017

Albums to Look Forward to in 2018

January

1/12/18
Black Rebel Motorcycle Club - Wrong Creatures
Ty Tabor - Alien Beans

1/19/18
Glenn Hansard - Between Two Shores
tUnE - yArDs - I Can Feel You Creep Into My Private Life
Inara George - Dearest Everybody

1/26/18
Jeffrey Gaines - Alright (Pledgemusic)
Ampline - Passion Relapse

2/9/18
Son Lux - Brighter Wounds

2/23/18
S. Carey - Hundred Acres
Charlotte Day Wilson - Stone Woman

3/2/18
Jonathan Wilson - Rare Birds
Seun Kuti & Egypt 80 - Black Times
The Breeders - All Nerve

3/9/18
David Kitt - Yous

3/23/18
Lissie - Castles


3/30
The Voidz

4/6

4/13

4/20
Kimbra - Primal Heart
Bishop Briggs - Church of Scars

4/27
Janelle Monae - Dirty Computer

5/4
Damien Jurado - The Horizon Just Laughed
Leon Bridges - Good Thing
Venetian Snares & Daniel Lanois -  S/T
Alana Davis - Love Again

5/11
Arctic Monkeys - Tranquility Base Motel & Casino

5/18
Ray Lamontagne - Part of the Light 1

6/1/18
Ben Howard - Noonday Dream
Richard Edwards - Verdugo
Tancred - Nightstand
Roger Daltrey - As Long As I Have You

6/8

Lykke Li - So Sad So Sexy

6/15

Johnny Marr - Call the Comet

6/29

Anthony Green - Would You Still Be In Love

7/20

Meg Myers - Take Me to the Disco
Ume - Other Nature
Eisley - I'm Only Dreaming... Of Days Gone Past

8/3
Tides of Man - Everything Nothing

8/10

Foxing - Nearer My God

8/17
Death Cab For Cutie - Thank You For Today

8/24
Mark Lanegan & Duke Garwood - With Animals
Neil and Liam Finn - Lightsleeper


8/31

Anna Calvi - Hunter



9/7

Lenny Kravitz - Raise Vibration
Thrice - Palms

La Force - La Force


9/21

Prince Piano & A Microphone: 1983 [Posthumous live]
Elysian Fields - Pink Air
Metric - Art of Doubt

9/28
The Joy Formidable - AAARTH
Pinegrove - Skylight
Amber Arcades - European Heartbreak

10/5

Doyle Bramhall II - Shades

10/12
Masseducation (solo piano)

11/9
J. Fernandez - Occasional Din
Boygenius EP
Mother Mother - Dance & Cry

11/16
POD - Circles

11/30
Jeff Tweedy - WARM

Wednesday, July 12, 2017

Poetic LIcense...or...In Other Words #4

Every now and then your favorite songs are so good that they allow you to look past certain quirks and nuances that are so contrary that in a lesser work they would be the subject of ridicule. It's Okay by Land of Talk is one of my all-time favorite song & likely my all-time favorite ballad. But leave it to me to find one line that I feel was either purposely changed to avoid being cliche, or... I don't know why they would make the creative choice they did other than to just do something different that wasn't so obvious. But in this case I feel the obvious lyrical choice would do the sentiment of the song so much Justice and it wouldn't detract from the lyric at all.

It's Okay
Lyrics
It's okay,
I don't even cry
all I think about is a memory
and the dream when you kissed my arm
as I look away, don't hear what I say
That maybe when I die,
I'll get to be a car
driving in the night
lighting up the dark.
something in your voice
it sparks a little hope
I'll wait up for that noise
your voice become my home
One way road, don't care what I find
A little thunder's good, I thought maybe you would
but it's okay, we all feel left out
sometimes growing up, it can get you down.
I give you something that no one's going to give you
my sleepin' skin and my heart deep down in you
I'll never tell you, but you're my little scar
Goodbyes are hard and they're hard and they're hard
Maybe when I die
I'll get to be a car
driving in the night
Lighting up the dark
Something in your voice,
sparks a little hope
I'll wait up for that noise
your voice becomes my home
Songwriters: Elizabeth Powell
It's Okay lyrics © Kobalt Music Publishing Ltd.


So here is the phrase:

Maybe when die
I'll get to be a car
driving in the night
lighting up the dark.


The obvious change:

Maybe when I die
I'll get to be a star
Shining through the night
Lighting up the dark

Poetic Embellishment:

Maybe when I die
I'll live on in your heart
Spirits intertwined
Never drawn apart

There are plenty of ways to spin it but none are necessary because Elizabeth sings the original with vulnerability and sincerity so potent that thr curious imagery of automotive reinCarnation is totally acceptable.


Saturday, April 1, 2017

Poetic License...or In Other Words #3

I've been sitting on this one for a minute, cause it's an easy fix in my head, and also one that adds a little something to the power of the song. What song?

My Name Is Human by Highly Suspect

https://genius.com/Highly-suspect-my-name-is-human-lyrics

I'm only of a mind to tweak 1 line in the main chorus that goes:

"Get up off your knees, boy
Stand face to face with your God
And find out what you are(Hello, my name is human)Hello, my name is humanAnd I came down from the stars(Hello, my name is human)"


It's ironic that the only phrase I have a problem with is the title of the song when it's echoed. There's just so much potential there for pathos since this is in essence a sing-a-long chorus. My first thought was to just change the phrase to:

Get up off your knees
Stand face to face with your God
And find out what you are
(I know I'm only human)
Hello, my name is human

And I cam down from the stars
(I know I'm more than human)


Either of those replacement lines work, and there's no need to use both, but I like the way using both represents the conflict people have with their ideas about their limits and their potential. It's a representation of the existential dilemma that comes with reconciling consciousness, mortality, and, infinity.

Regardless, I dig the song and the way it uses a cadence you'd heard in contemporary r & b for the delivery of the verses. It's the modern equivalent of a spoken verse, but with melody and rhythm giving it a coolness that doesn't compromise the groove. It allows for the the wordplay to be so straight-forward, but still deceptively clever, in plain spoken vernacular. Tweaking those two lines would have been the final revision that put it over the top for me, though credit where credit is due, if you can't get people to sing something that in context, sounds kind of odd, you've struck musical gold.

Wednesday, January 11, 2017

2017's Albums to Look Forward To

Here's what's on my radar so far:

2017

1/13
Colony House - Only the Lonely

1/27

Cuddle Magic - Ashes/Axis

2/3

Elbow - Little Fictions
Big Wreck - Grace Street
Shannon Wright - Division

2/10

Mother Mother - No Culture

2/17

Son Volt - Notes of Blue
Eisley - I'm Only Dreaming
Ryan Adams - Prisoner
The Verve Pipe - Parachutes
Soft Sleep - Infinite Circles

2/24

Acceptance - Colliding By Design (Pledgemusic)
Jeff Lang - Alone in Bad Company

3/3

Minus the Bear - Voids
Beth Bombara - Map & No Direction (Pledgemusic)
Junius - Eternal Rituals for the Accretion of Light

3/10

David Bazan - Care

3/17

KXM - Scatterbrain
Ari Hest - Natural (bandcamp)
Depeche Mode - Spirit

3/24

Will Johnson - Hatteras Night, A Good Luck Charm
Bridget Kearney - Won't Let You Down
Aaron Sprinkle - Real Life

3/31

Aimee Mann - Mental Illness
Richard Edwards (Margot & the Nuclear So and Sos) - Lemon Cotton Candy Sunset

4/7


4/14

Anders Parker - The Man Who Fell From Earth (Pledgemusic)
John Mayer - The Search for Everything

4/21

Incububs - 8

4/28

Mark Lanegan Band - Gargoyle
Juliana Hatfield - Pussycat
R. Ring - Ignite the Rest
The Classic Crime - How To Be Human (Kickstarter)
Feist - Pleasure
Violents - Awake and Pretty Much Sober

5/12

Paul Weller - A Kind of Revolution

5/19

Land Of Talk - Life After Youth

5/26

Ben Ottewell - A Man Apart
Sarah Jaffe - Bad Baby

6/2

Dan Auerbach - Waiting On A Song

6/9

Phoenix - Ti Amo
Rise Against - Wolves
Lindsey Buckingham & Christine McVie

6/16

Steve Earle - So You Wanna Be An Outlaw
Ours - Spectacular Sight

6/23

Jeff Tweedy - Together At Last
UNKLE - The Road Part 1

7/7

Broken Social Scene - Hug of Thunder

7/14

The Dears - Times Infinity: Volume Two

7/28

Manchester Orchestra - A Black Mile to the Surface

8/11
Paul Draper (Mansun) - Spooky Action

8/18

Grizzly Bear - Painted Ruins

8/25
Queens of the Stone Age - Villains
Filthy Friends - Invitation

9/1

Starsailor - All This Life


9/8
Tori Amos - Native Invader
Alex Cameron - Forced Witness
Victor Wooten - Trypnotyx
Ted Leo - The Hanged Man (Kickstarter)

9/15

Foo Fighters - Concrete and Gold
Emily Haines & the Soft Skeleton - Choir of the Mind

9/22

Circa Survive - The Amulet

Moses Sumney - Aromanticism
Phoebe Bridgers - Stranger In the Alps
Chelsea Wolfe - Hiss Spun

9/29
Wolf Alice - Visions of A Life

10/?
Craig Wedren - Adult Desire

10/6
Liam Gallagher - As You Were
Dhani Harrison - IN///PARALLEL

10/13
The Barr Brothers - Queen of the Breakers
St. Vincent - Masseducation
Matt Cameron - Cavedweller
stars - There Is No Love In Fluorescent ight
Billy Corgan - Ogilala
Robert Plant - Carry Fire

10/20
Kele Okereke - Fatherland
Brand New - Science Fiction

10/27
Julien Baker - Turn Out The Lights
Weezer - Pacific Daydream
Joe Henry - Thrum

11/3
Lalah Hathaway - Honestly

11/10
Quicksand - Interiors

11/17
Sharon Jones - Soul of a Woman
Charlotte Gainsbourg - Rest
Mavis Staples - If All I Was Was Black

11/24
Noel Gallagher's High Flying Birds - Who Built The Moon
Bjork - Utopia

12/1
The Dear Hunter - All Is As All Should Be
Gord Downey - Introduce Yourself
U2 - Songs of Experience
Miguel - War & Leisure
Neil Young and the Promise of the Real - The Visitor

12/8
The New Trust - Upset the Tides

12/22
Lovedrug - Relive

Complete -Uncertain release date that I am aware of:

Will Johnson - Little Raider 2, two 7"s, The 901 LP
Kimbra - Primal Heart Jan 19th 2018
David Kitt - Yous


Ongoing Scheduled releases

Sleeping At Last - Astronomy


Definitely in Production:

Ty Tabor

Now Now
Raphael Saadiq
P.O.D.
Breeders
My Brightest Diamond
Tancred



Rumored to be in Production


The Cure - 4:14 Scream


Friday, December 16, 2016

Poetic License or... In Other Words: #2

Once upon a time there was a song, a song featured in many live performances upon the release of an album by a band that had managed to ascend the charts and critical consciousness of the music industry in the early 2000s. Up to the moment of this song, their lyricism of their material wasn't put under much scrutiny, but in retrospect, "Yellow" is worthy of a little scorn.  That said, when the most prominent couplet in the song is the most offensive to poetic sensibilities, it's a lightning rod for further scrutiny. That being said, Coldplay's "Fix You", initially my favorite song on X & Y before it got incredibly overplayed and lost the power of sentiment it held, is up to bat.

The offending line goes:

"Lights will guide you home
and ignite your bones..."

*sigh*

I honestly have mulled over a number of improvements to this line. It's not at all difficult since it already employs a slant rhyme.  I opted to use a true rhyme and a phrase that fit the context and added significance and come up with:


Deepening the relationship between the light and the journey
"Lights will guide you home, fading as you roam"

Focusing on the journey specifically retaining the slant rhyme
"Lights will guide you home, when you're lose and alone"

but initially when I first heard the song back then I thought the easiest fix was changing one simple word:

Lights will guide you home, and ignite your soul

In reality, for my writing still the first line works better as the closing line, and opens up the flow of the lyric as a declaration of devotion.

"If you're lost and alone lights will guide you home "

or more poetically

"When your hope is is all but gone lights will guide you home... and I will try to fix you"

Friday, December 9, 2016

Poetic License or... In Other Words: A new series.

For a while now I've wanted to rework lines from songs that I enjoy that have left me a wishing they were put another way, so I figured, that's a good theme for my blog. So here goes:

The first line I want to tackle comes from Eisley's "Marvelous Things", in the second verse they sing, "I followed a rabbit, through mermaid entwined shrubbery." It's a mouthful, the meter and melody force the words to be sung faster than any others in the song, and the word play has been the subject of a little embarrassment from the band, as depicted in this fan shot video.


Now, I love this song, but I won't deny that I always take a breath (mentally and physically) before I sing that lyric. They have a couple of doosies like that.  Needless to say, that's part of the charm of the band, the whimsy they had early on.  But being a lyricist, I was always curious if I could find a way to augment the line to flow rhythmically and poetically. I thought of a few versions, but here's what I came up with:

"I followed a rabbit, through sirens entwined, arranged in lines..."

That said, enjoy the "Marvelous Things" as I first experienced it.

Monday, February 8, 2016

Advice for the Young at Heart

I remember when I was in my early 20s and I had befriended some teenage patrons of the record store I was working at when I was away at college. I kept up contact with them via email and written correspondence after I'd come home. One of the teens wrote me about the trials and tribulations of their romantic life and made mention of someone wanting to be "Friends with Benefits".  It was the first time I'd heard of the concept. I recoiled because to me it sounded like the kind of hustle you run on someone who is obviously into you, but you're not into them enough to commit to. My response was to say, "You can't have your cake and eat it too". That made no sense to the teen, and I don't think I had the wherewithal to use the phrase, "You can't have it both ways." though I might have invoked, "You can't serve two masters." without explaining that in such as case the masters would be the varying desires of the "Friends" when one wants companionship without commitment and the other consents because it's as close as they can get with the person offering, though they want more.

Now lets circle back in time to me in 5th or 6th grade watching the show Wiseguy with my Mom. A A scene took place in the 1st season where at a wedding reception a protagonist questioned another about his relationship status and why he wasn't hitched. Someone responded "Why buy the cow when you can get the milk for free???" That quip drew laughter from the wiseguys so I thought it was a pretty clever saying, not recognizing the misogyny and disrespect inherent in it.

Later that year our family was down in Kentucky for a reunion and we all got to meet my great aunt's significant other. Someone asked that older gentleman she was seeing about his relationship status and guess who was primed to jump in with a Screenwriter's Guild certified zinger? The men in the room laughed, the women, not so much...  I was in trouble and I didn't really understand why.  I was raised to "not hit girls" but I was used to verbal and physical abuse as the vocabulary of socialization. It would take years to figure out how degrading the joke was in regards to the values of my elders, and how attitudes that invested in that sort of mentality, which renders a person's vulnerability a commodity to exploit, distorted and corrupted the relationships of people in my life.

So, flash forward to me reading this letter from a friend after years and years of seeing people used, abused, bemused, and confused in the pursuit of romance. The clarity of the ills of games of the heart were crystal clear. Friends with benefits threw up all sorts of red flags as a clever way to re-branding of compromising someone to get something you wanted without giving them proper consideration and compensation.

Whenever the subject of these sorts of relationships are broached, I made it a matter of principle to implore people not to settle for that hustle. Don't compromise your desire and nature to pursue something you don't really want, or devalue something you have to offer of worth by exchanging it for less. Don't let anyone call that a friendship. Friends don't use each other or welcome seeing their friends being used. The benefits that should come from a friend should include empathy and integrity. Anything exchanged absent both of those things isn't a product of Friendship. It's a con to fleece you.

Saturday, July 18, 2015

Hotter than July

So far this summer I've been very fortunate. My good fortune has been determined by the run of cool temperature days that have been accompanied with rain. It has spared me from enduring extremely hot temperatures in a home without air conditioning. Thankfully I have an attic fan, so on these hottest days I can use nights to cool my house a few degrees and make it tolerable.

Now the temperatures have decided to take an uptick & I'm sweating guilty party an interrogation room. It's fitting that the worst of it didn't hit until the middle weeks of this month. By my recollection, since 1997 in particular, the middle of July has been an ominous season for me. The summer heat usually presages vivid dreams containing elements that hint at precognition. Take that for what you will but from my experience it's unwise to ignore omens and disregard patterns of behavior and circumstance.

For me, looking at life cyclically is essential to prevent me from making the same emotional and pragmatic decisions that have led to upset and tumultuous times in my life which I would prefer to not repeat. These are hard lessons, but important ones to heed. When you've paid sweat equity and bear the scars of Love's Labour's Lost it's better to acknowledge all that's come before and be wiser for it, than to look forward constantly with no sense of perspective and someday find you've been going in warped ellipses.

To be stuck in the middle of July perpetually, sweating bullets trying to figure out how to carry on, without autumn or winter, without the spring, without the cold of the night to relieve the heat of the day, is nothing short of condemnation.

Tuesday, May 26, 2015

Might As Well Face Facts...

As an occasional journalist, I take an interest in listening to or reading interviews with artist I'd otherwise deem enigmatic.  My own experiences meeting artists and performers, and my own experiences as an artist and performer have taught me that people are people, their variances in personality having little to do with how we categorize or laud them.  But still, there's the mystique, the artifice or creating an aesthetic, a persona for people to be intrigued by or identify with, which engages us.  Actively undermining or reinforcing that is something of a gamble, because, as I said, people are people, and not all people are decent.

All that said, I heard an interview from someone who is very good at conjuring mystique, possibly in part because it's projected onto them to begin with?  Regardless, in what can be considered a very "down to earth" and humanizing interview the artist acknowledged having a rough childhood.  There was no specification on just what that entails, but from what's known about the artist, and what our standards are in this day and age, as far as dysfunction and trauma, I'm sure it was nothing to scoff at.
In the past, a part of me actively identified with the notion of having a "rough childhood" because, regardless of how I choose to orient my attitude towards it, my childhood was far from ideal.  There was violence, cruelty, dejection, perversion, and confusion from the onset of my capacity to remember.  My understanding or rationalization of the idea of being "born into sin" is a direct reflection on my experiences as a child. I thought myself innocent, but I was not surrounded by innocence. At best I was too young, and thus naive and ignorant of just how damaging and potentially corrupting the things I was exposed to were. When it's common place for people who ought to love each other to be cruel and sadistic towards each other, behavior you learn to model before you can recite the alphabet that doesn't bode well for future developments.

I have a good memory, as most of my friends can attest.  I don't think this is some biological endowment. It's a check on my character.  My moral compass isn't oriented on some arbitrary good like true north, it's shattered into bits, and rests on one side of a scale with stones that ought to have been cast at me for my indiscretions from my childhood onward. By process of elimination the correct moral path was made apparent, no longer obscured by those who undermined their own authority with behavior that was contrary to it.  I don't think anyone should be forced to discover their conscience by broaching what they later find to be unconscionable. A lifetime spent tip-toeing around the line that ought not be crossed increases the likelihood that it is.  It's better to put as much distance between yourself and that line as possible. For that to be possible it has to be made clear.  For that to happen most people need to have it pointed out to them by someone they trust, who has gotten close enough to the line to say definitively, "This is the point of no return, do not go beyond this point."  It's a little paradoxical, because would that person have to exercise judgement contrary to conventional wisdom, as I defined it, to get close enough to make out that moral line clearly?

I like to think our lives are the summations of the choices we make, but they are also the summation of choices that were made for us when we lacked the power or knowledge to make them. It's up to us how we reconcile the consequences of those choices.  Nevertheless, there's a weight that comes with that grounds us.

Monday, May 25, 2015

Sans Prompts

Dropping the musical prompts pretty much derailed this blog.  That and eliminating a number of stressful thought processes from my life.  There are plenty of other things that could prompt me to write, but without having a song to veil my emotions and disclosures I'm inclined to keep those matters to myself.  It's strange how easy it is for me to document the stability in my life by my compulsion to write about it.  Some of that may be the impact of ambivalence.

I remember telling someone close to me that life doesn't have to be complicated.  Things are simple and straight forward, and it's our own behaviors and rationalizations that complicate things.  An inability to be honest, with our selves and others is one of those key sources of frustration.  The desire to change the will of others to satisfy our own is another.  The lack of respect and appreciation for life creates so much turmoil.  A lack of respect and appreciation for innocence is just as damaging.

I try to be pragmatic and think about what causes so much complexity in life.  Asking the question, "Why?" seems like scapegoat.  I don't think that's the issue.  If you've ever been around a 3-4 year old kid, the question "Why?" comes up a lot.  Rather than view it as a sign of just how perceptive and curious a child is, a lot of people respond with exasperation. They respond in a way that makes it seems like explaining is a burden, or being questioned is a challenge.  I just think it's a manifestation of intelligence.  We are made to wonder.  This is what sparks the imagination.

There is no crime in not having all the answers, and there should be no shame in it.  We have our limits, and given the complications we make for ourselves, they encroach on us further with every new thread we spin. The acceptance of these limits is an acknowledgement of the horizon. We have a depth of field, and that's okay.  Our limitations aren't set by what one person can do, or one generation. The potency of humanity comes from the power of the collective becoming more efficient and productive over generations.  We approach life like a 100 meter dash, when it's a relay race to infinity.  We run the risk of falling out of the running if we don't take care of ourselves, and the baton we're meant to hand off to our successors.  The goal isn't to win the race, it's to never stop running.  Our only competition is our attitude towards the value of living as a whole.

If life is worth perpetuating, shouldn't our focus be on taking every measure available to ensure that it is?  Our aspirations within our epochs should be balanced between improving the quality of life for the whole of humanity, and all life on Earth during our time, while advancing our capacity to preserve life when this epoch ends.  As it stands, we are locked in a mental trap such that the value of living, and life is mutable.  Relativism in regards to the value of life undermines our progress and threatens the existence of life as we know it. It has become the fundamental complication in our existence, from which most others descend.  Our hierarchies and inequality are first and foremost justified by the idea that some lives are more worthy than others.  That is an unsustainable orientation for humanity.

Alone, a rising tide will sweep you away never to be seen again, lost to the sea. Together, we have changed the course of those very seas. Now if only we could harness that collective energy towards productive means.

Tuesday, January 6, 2015

Music on the Horizon...


2015's Notable Releases


1/20/2015
Sleater-Kinney - No Cities to Love

2/9

Fiction Plane - Mondo Lumina (Europe)

2/17/2015
Jose Gonzalez - Vestiges and Claws
Steve Earle - Terraplane
Juliana Hatfield Three - Whatever, My Love

3/31/15
Death Cab for Cutie - Kintsugi
Sufjan Stevens - Carrie & Lowell
Bjork - Vulcinara
Noel Gallagher & the High Flying Birds - Chasing Yesterday

 4/21/15

Dustin Kensrue - Carry The Fire

5/1/15
Other Lives - Rituals

5/5/15
Van Hunt - The Fun Rises, The Fun Sets

5/11/15
Paul Weller - Saturn's Patterns

6/16/15

James Taylor - Before This World

6/22/15

Thundercat - The Beyond/ Where Giants Roam
Wolf Alice - My Love Is Cool

6/30/15
The Velvet Teen - All Is Illusory

7/17/15
Highly Suspect - Mister Asylum

7/24/15

Jill Scott - Woman

8/7/15
Chelsea Wolfe - Abyss

8/21/15
P.O.D. - The Awakening

8/28/18

Rising Fawn - Sifting Through Sadness

9/11/15
Gary Clark Jr. - The Story of Sonny Boy Slim

9/18/15

Chris Cornell - Higher Truth
Metric - Pagans In Vegas
Meg Myers - Sorry
Lydia - Run Wild
Say Hi - Bleeder's Digest

9/25/15

The Dears - Times Infinity Vol. 1
Los Lobos - Gates of Gold
Patty Griffin - Servant of love
Sexwitch - s/t
The Dead Weather - Dodge and Burn

10/6/15

Des Ark - Everything Dies
Duncan Sheik - The Ledgermain

10/23
Dave Gahan & Soulsavers - Angels & Ghosts

10/30
The Neighborhood - Wiped Out
Ian Fletcher Thornley - Secrets
Jerry Gaskill - Love & Scars

11/6
Seal - 7

11/13

Chris Isaak - First Comes the Night

12/4
Coldplay - A Head full of Dreams


2016
1/22
Eliot Sumner - The Information
Besnard Lakes - A Coliseum Complex Museum

1/29

Bloc Party - Hymns

2/5

Trixie Whitley - Porta Bohemica

2/12
Lissie - My Wild West
Sanctus Real - This Is Love
Lacey Sturm - Life Screams

2/19

Kula Shaker - K2.0

3/4

Rob Crow's Gloomy Place - You're Doomed. Be Nice
Esperanza Spalding - Emily's D+Evoluition
Nada Surf - You Know Who You Are

3/11
Pete Yorn - Arrangingtime

3/18
Damien Jurado - Visions of Us On the Land

3/25
The Joy Formidable - Hitch
O'Brother - Endless Light

4/1
Andrew Bird - Are You Serious
Explosions In the Sky - The Wilderness
Tancred - Out of the Garden

4/8
Deftones - Gore

4/15
PJ Harvey - The Hope Six Demolition Project

4/29

Prince - Hit N Run Phase 2
She Makes War - Direction of Travel

5/13
David Bazan - Blanco

5/20
Mudcrutch - 2
Saosin - Along the Shadow

5/27
Beth Orton - Kidsticks
Band of Skulls - By Default
The Jelly Jam - The Profit
Thrice - To Be Everywhere Is To Be Nowhere
Project Nfidelikah
Travis - Everything At Once

6/3
Tegan & Sara - Love You To Death
Judy Collins & Ari hest - Silver Skies Blue
Gates - Parallel Lives
The Kills - Ash & Ice
Paul Simon - Stranger to Stranger

6/10
Shawn Colvin & Steve Earle - Colvin & Earle
Angelo Moore & The Brand New Step - Centuries of Heat

6/17
The Tragically Hip - Man Machine Poem
Margaret Glaspy - Emotions & Math
Radiohead - Moon Shaped Pool
Starflyer 59 - SLOW

7/1
Bat For Lashes- the Bride
Maxwell - blackSummersnights

7/8
Switchfoot - Where the Light Shines Through

7/15
NEEDTOBREATH - Hard Love


7/29
Owen - King of Whys
Spill (Marc Walloch) - Through the Seasons



8/12
Brendan Canning - Home Wrecking Years

8/19
John Paul White - Beulah
Alex Cameron - Jumping the Shark

8/26
Joseph - I am Alone, No You Are Not

9/9
Local Natives - Sunlit Youth
Anthony Green - Pixie Queen
The Dear Hunter - Act V: Hymns With the Devil In Confessional
Wilco- Schmilco

9/16
Taking Back Sunday - Tidal Wave

9/23
D.A.R.K. - Science Agrees
Jonatha Brooke (Pledgemusic) - Midnight Hallelujah

9/30
Krief - Automatic
Bon Iver - 22, A Million
Doyle Bramhall II - Rich Man

10/7
Balance and Composure - Light We make
Norah Jones - Day Breaks
Phantogram - Three

10/14
Barcelona - Basic Man

10/21
American Football (II)
Jimmy Eat World - Integrity Blues
Kevin Devine - Instigator
Joan As Police Woman - Let It Be You
Tom Chaplin - The Wave

10/28
Nada Surf - Peaceful Ghosts

11/4

11/11
Sting - 57th & 9th


11/18
Highly Suspect - The Boy Who Died Wolf

12/2
John Legend - Darkness and Light
Childish Gambino - Awaken, My Love

Makari - Elegies