Sunday, November 26, 2023

"Water"

 Water...

 


In my lifetime the first person I knew to be in into Rock music was my cousin Charles.  He was my dad's first cousin, but younger that my dad by maybe 15 or so years. Charles was at one point a talented Baseball player and a drummer, but the characteristic that defined him over all other things for period of my life where he was present on a regular basis, was his alcoholism. There's nothing good to say about it, and it doesn't reflect well on my childhood that from age 11 onward I was the main person in my household who would have to humor his inebriated mood swings and disenchanted solitude.

I know he was proud that he'd influenced me musically, in so much that I never hesitated to embrace the power of music outside of what had been coded as culturally-appropriate for a young black kid in in the 80s and 90s. My passion for music became a path for him getting to hear things he otherwise would not have, and many a time the payment for the general labor he would undertake for my parents would be rendered via his drunkenly strong-arming me into giving him some of my cd collection. This was before audio ripping and CD burners were available, and he was biased against cassettes.

There were periods of sobriety where he and I would talk and I would be genuinely happy to take one of his late night calls. I can't even remember what was worth talking about. But the simple fact that there was a period when we spoke and he was actually sober was a radical and positive change, brief as it was.

By the time I went away to college I'd gotten better about asserting myself, and had also gotten to the point where I'd used Columbia House and BMG to expand my collection of CDs, primarily Hip Hop at that point, to the point that I was happy to give him some of the CDs I'd ordered that had underwhelmed. My tastes had gotten so obscure by the time I got home from college, he didn't have an inclination to ask me for anything. I'd become a musician in that time, and was working my way through building a songwriting craft. It was at that point that the men who had been around in my adolescence on their own terms, actually made an effort to support my pursuit of muse.  


My father bought me a 4-Track recorder one Christmas.  My stepfather gifted me a combo (bass) amplifier to play my acoustic electric guitar through.  And Charles had come into possession of a Bass guitar, which he didn't give to me, he traded for CDs. By that time I had also spent 10 months running a record store in college, so I was sitting on a lot of music, so it was an easy trade.  Then I put a few hundred dollars into repairs to get that bass in working order. Eventually it would find its way on the Four Track recordings that I would circulate to my dad, and he played them for everyone he could find, to my chagrin. Charles was as encouraging as my dad when it came to my music. It's tragic I never really ever got to hear him play drums. He only ever made it to my house a couple of times, and I wasn't able to really get a chance to jam with him. He wasn't that enthusiastic about it, as I'm sure it had been decades since he'd actually played.

Music became my vice in life, alcohol was surely his. I often think about how much more healthy my childhood could have been, and how ambitious I would have been if the people I grew up with, who I knew to be musically inclined, would have been compelled to share their talents with me. In the case of Charles, could that have helped steer him away from habits that were no doubt going to contribute to his demise some day? When I first heard about the troubles of Malik B. aka M-Ilitant of the Roots, and how they inspired the song that this post is titled for, how substance abuse had derailed his prospects in life, it spoke to the lifetime of enabling I witnessed with my cousin, the way people would contribute to his vices as an inexpensive way to get him to do hard labor they were unwilling to have done by a stranger at market value. Because of a lifetime as a witness to all this I can credit Charles for my willingness to follow my own muses musically, and my sobriety outside of the occasional social drink for special occasions.

More often than not, my cousin Charles was the most generous person I knew when it came to giving of himself, but for some reason unbeknownst to me, he leaned on a destructive vice to pass his idle time, and it was not good for his spirit.  In a horrible turn, I found out he had a week to live, at best, on 10/27/23, and by 1AM 10/31/23 he had passed away. It happened before anyone from my immediate family, or those that I knew to be close to him, could gather their thoughts and muster the will to see him in hospice at home, medicated for the pain, because, like my father, my maternal Uncles, and my cousin Joe, Cancer had taken hold of him. Pain management for terminal abdominal cancers that have spread typically necessitates heavy opiates and can render the patient incoherent. Which brings us back to the song at hand because they give you the strongest possible dose of the pain killer as frequently as they can without causing you to OD. It's not how any of my kin wanted to go out, but for those of us who survive them, let alone those of us who were at their bedside, it was the only way for them to go peacefully. Because they no longer had a choice, something else had already sealed their fate.

I was once of a mind, which I considered dark humor in my youthful ignorance, that if my mortality were to be truncated and my days shortened, I would indulge all the things I'd forgone. Having lived to see how naive that viewpoint is, and how cruel the irony stung when I was witness to End-Of-Life care, I disavow myself of that sentiment wholeheartedly.

The emotions in this song are a whirlwind of all sorts.
Such is life.
It is what it is and everything is everything.
What was it Bruce Lee said?






Thursday, May 21, 2020

Poetic License - In Other Words #5

It's been a while. Not much has felt worth my attention or worthy of refinement in the musical realm. But it dawned on me that this would be a viable format for my plot revision ideas for movie franchises I was less than impressed with. This won't be fan-fiction, just a pitch.  That Said:

SPOILERS FOR TERMINATOR-DARK FATE
At least inferred.

My proposotion is this, the film series returns to it's singular horror roots, but it's tone shifts back to a slow-burn suspense filled chase.

We can keep the opening scene of Terminator Dark Fate. 
In this "soft reboot" Sarah Connor is stalking other Sarah Connors, trying to find ones with sons named john. She's returned to leaving her voice memos as seen at the end of the Terminator. We learn through these recordings that she is trying to right/ write the future by finding and preparing John Connor to lead the resistance, be it her son, or another Sarah Connor's.

The core premise is that her psychological instability has pushed her to the brink after so much trauma but the ceaseless threat of the future has pushed her to carry on.

This Sarah Connor becomes a unifying character, in that she can actually encounter our varying John Connors in early stages of their lives to inspire them to become resistance fighters with no knowledge of each other such that Nick Stahl's John and Christian Bales can exist in the same timeline along with the Jason Clarke and Thomas Dekker. There will be a cuckoo's egg undercurrent in play.

Her Sarah has foreknowledge their Sarahs will not, so her motivation will be to impart that foreknowledge to them, which Skynet will be trying to stop, by finally Terminating Sarah, and returning to terminating other Sarahs and Johns.





Friday, December 14, 2018

2019 Albums to Look Forward to - First Quarter

January


4th


11th


18th

Juliana Hatfield - Weird
Maggie Rogers - Heard in a Past Life
Pedro the Lion - Phoenix

25th

Kid Koala - Music to Draw To

February


1st

The Moth & the Flame - Ruthless
Le Butcherettes - bi/MENTAL

8th

Memphis - Leave With Me

15th

Copeland - Blushing (14th)

22nd

Murray A. Lightburn - Hear Me Out


March


1st

Citizen Cope - Heroin and Helicopters
Weezer - The Black Album
Gary Clark Jr. - This Land

8th

Patty Griffin - S/T
Pinegrove - Skylight I & II

15th


22st

American Football - III

29th

Owel - Paris
Ohtis - Curve of The Earth
UNKLE - The Road Two / Lost Highway
Son Volt - Union
Steve Earl & The Dukes - GUY

April


5th


12th

Glen Hansard - The Wild Willing
Band of Skulls - Love Is All You Love
Broken Social Scene - Let's Try the After - Vol. 2
Damien Jurado - In The Shape of A Storm

19th

Ryan Adams - Big Colors (postponed or Cancelled)

26th

Spotlights - Love And Decay
Local Natives - Violet Street
Lamb - The Secret of Letting Go
Guided By Voices - Warp and Woof
The Cranberries - In The End


Sunday, March 18, 2018

How I've Grieved The Loss of My Father

My Grieving Process in over the course of my lifetime:

My father began preparing me for his death when I was 10 years old after he had a health issue. I'd lived in fear of his being killed in the line of duty all my childhood, be it with the PD or should his reserve unit be deployed.
x



Dad eventually retired from the PD, didn't get deployed during Operation Desert Shield or Storm, & took a Security job in a safer environment. Still I had been conditioned to expect his death. It was ingrained in our relationship. The specter of death loomed large.


When I was 19 & the staff at my dorm came to my door & told me to call home when I slept through incessant ringing, I was primed for bad news about him & I swear my first words were, "Who died?" It was my nearly 5 year old niece.


My Dad made the 6 hour round trip with his first cousin, the indispensable Charlie Brown aka Cousin Charles, to get me. I was glad he was alive, but the loss of my niece crushed our family as it brought us together. Think about it.


We grieved HARD, broken throughout. The loss of that child put the cumbersome hyper-consciousness of my Father's, & my own, mortality in stark relief. It had to be gotten over for sake of moving forward & supporting the collective family.


Then came the next health scare for my father, followed by another, the most dire he'd ever faced, both within a years time. Suddenly the looming threat had manifest as the reaper placing his chessboard in your path. My father's life now subject to timed turns of play.


For all the grim reality & melancholy that comes with mourning one's passing before it had come, my father & I were vigilant and exuberant about the things we love, & though weakened by the fight to maintain his health often, he focused on the Living & the Joy.


Then death came calling Elders and Peers, & with fewer pieces on the board, every move was more consequential, be it deliberate or haphazard. Then came more mortifying health news coupled with immediate reassurances, & residual complications.


Then came another bit of dire news, & not much later a bold choice to pursue a life change, relocation, that would separate me & my father such a distance that my economics would render his departure a likely farewell.


It was when his relocation was affirmed that the grieving process began for me & my focus shifted to manifesting my appreciation for his efforts, & cognizance of his mortality in actions that would help him reach his chosen destination.


But he couldn't shake the feeling he wasn't going to make it. The journey from his home seemed snake-bit & he likened himself to Job. The decline from health to fragility was plotted an easily discernible downward trajectory.


Unfortunately for us, the despair of my father's situation & my role as support negated any discussion of his demise, as his state of mind was still a factor in any potential recovery from the nagging ailments.


But it couldn't be denied any longer, & as others got involved & things took a turn for the worse, I had to acknowledge a lifetime of sullen resignation on both our parts, he to mortality, mine, to my inability to shift focus from that in our relationship.


So for me, everything I was doing to help my father relocate was part of letting go of my father being a part of my now, & the indelible existence we shared as father & son becoming part of eternity across time as space.


So when my father told me he was ready to let go. I was ok with that. That I had to assert to him that I did not bear grievance against him for doing so, & that I loved him & accepted his choice, That evoked my tears. That my support of His will escaped his view.


Having cleared the air I left his side to pick up some things for his care that would make it more comfortable for him. I was also tasked as messenger, a role I was familiar with. I fully expected another morning with him would come, but it did not. He was gone.


I returned to the hospital to see my father just as they were preparing to transfer his body from his bed to the gurney. They gave me the room. It was the first time I saw someone who was deceased outside of at a wake or funeral in my life.


The light of life was obviously gone, & much like when I was at the first wake I can remember, near abouts age 6-7 years old, I got the sense it could return in an instant to the body before me. I checked myself & said "He's not here anymore... Bye Dad, Love you."


There was no sadness in me, no joy, just acceptance. My father was gone, & I was not to precede him in passing, so I was meant to be witness. It is my reality. The sadness struck when a greater reality outside of my father & I became unavoidable.


When I was fresh out of high school, I ran my mouth about every thought, regurgitated every so-called wisdom I heard, offering platitudes as insight and consolation out of naive sympathy & projection instead of true empathy.


Then as tragedy after tragedy struck my own family & friends, my study of faith, introspection about life experiences, muted my tones, weighted my words, until the reflex to be quick to comfort turned to a muted hush.


As people I know & cared about lost loved ones, despite having been conditioned to dread their imminent passing, my parents survived, my siblings survived. To speak on someone else's grief felt wrong to me. I was so blessed, so grateful for it.


So in what may have been a gross over-correction I vacillated from avoiding those grieving or grieving myself, or stumbling over myself every time my heart was heavy with empathy but I felt as if I was intruding by projecting that feeling outward.


And this went on for years, me at a loss as to how to address the bereaved in a way I could reconcile with my shame for my cockiness as a teen, & my experience & melancholy as an adult, accepting my time with my loved ones has ever encroaching mortal limits.


I knew wholeheartedly that if I let myself I could reflect the emotions of my mourning friends & recognize myself in their pain from my own experience. And yet I was blessed with my parents & immediate family, & cherished that blessing.


I learned to find resolve in honoring & memorializing the dead from my father by virtue of him making that his profession for the last years of his employment.  It helped me realize that innate sense of purpose is what helped me turn the corner on grieving my niece.


Nevertheless, I could no longer escape the reservoir of emotions I had stored up, the withheld sense of kinship & pain with all my friend who grieved openly as I "Stayed Strong" & or silent. I would have to tell them how I felt, knowing I'd be in their shoes.


Then I thought of every friend of my father I would need to reach out, because I respected & admired them all by virtue of how much they respected & admired my father, & thus encouraged me. Now they would be brought to tears before me for the 1st time in my life.


The magnanimity of my father loomed large, & my commitment to honor that kinship he shared, the love that was reciprocated between he & his friends & family meant I would have both purpose & pathos by which I might actualize my mourning.


So that is what I have done, & in doing so I have found resolve & resolution. My father built many communities of friends & family, their structures often independent, yet sharing a central cornerstone. Flawed & human as he was, he held it up as long as he could.


My father built a tent, & knew one day he would greet the sunrise for the last time, & I remain as his shadow cast upon the earth, surveying those in the shadow of the canopy he provided in all he did.


So I will say the goodbyes my father wasn't able to, & share the light rendered upon me from the best of him. There will no longer be a barrier between my heart & my friends for fear of my infringing on their grieving. I have been released. I can let go.

Tuesday, November 14, 2017

Albums to Look Forward to in 2018

January

1/12/18
Black Rebel Motorcycle Club - Wrong Creatures
Ty Tabor - Alien Beans

1/19/18
Glenn Hansard - Between Two Shores
tUnE - yArDs - I Can Feel You Creep Into My Private Life
Inara George - Dearest Everybody

1/26/18
Jeffrey Gaines - Alright (Pledgemusic)
Ampline - Passion Relapse

2/9/18
Son Lux - Brighter Wounds

2/23/18
S. Carey - Hundred Acres
Charlotte Day Wilson - Stone Woman

3/2/18
Jonathan Wilson - Rare Birds
Seun Kuti & Egypt 80 - Black Times
The Breeders - All Nerve

3/9/18
David Kitt - Yous

3/23/18
Lissie - Castles


3/30
The Voidz

4/6

4/13

4/20
Kimbra - Primal Heart
Bishop Briggs - Church of Scars

4/27
Janelle Monae - Dirty Computer

5/4
Damien Jurado - The Horizon Just Laughed
Leon Bridges - Good Thing
Venetian Snares & Daniel Lanois -  S/T
Alana Davis - Love Again

5/11
Arctic Monkeys - Tranquility Base Motel & Casino

5/18
Ray Lamontagne - Part of the Light 1

6/1/18
Ben Howard - Noonday Dream
Richard Edwards - Verdugo
Tancred - Nightstand
Roger Daltrey - As Long As I Have You

6/8

Lykke Li - So Sad So Sexy

6/15

Johnny Marr - Call the Comet

6/29

Anthony Green - Would You Still Be In Love

7/20

Meg Myers - Take Me to the Disco
Ume - Other Nature
Eisley - I'm Only Dreaming... Of Days Gone Past

8/3
Tides of Man - Everything Nothing

8/10

Foxing - Nearer My God

8/17
Death Cab For Cutie - Thank You For Today

8/24
Mark Lanegan & Duke Garwood - With Animals
Neil and Liam Finn - Lightsleeper


8/31

Anna Calvi - Hunter



9/7

Lenny Kravitz - Raise Vibration
Thrice - Palms

La Force - La Force


9/21

Prince Piano & A Microphone: 1983 [Posthumous live]
Elysian Fields - Pink Air
Metric - Art of Doubt

9/28
The Joy Formidable - AAARTH
Pinegrove - Skylight
Amber Arcades - European Heartbreak

10/5

Doyle Bramhall II - Shades

10/12
Masseducation (solo piano)

11/9
J. Fernandez - Occasional Din
Boygenius EP
Mother Mother - Dance & Cry

11/16
POD - Circles

11/30
Jeff Tweedy - WARM

Wednesday, July 12, 2017

Poetic LIcense...or...In Other Words #4

Every now and then your favorite songs are so good that they allow you to look past certain quirks and nuances that are so contrary that in a lesser work they would be the subject of ridicule. It's Okay by Land of Talk is one of my all-time favorite song & likely my all-time favorite ballad. But leave it to me to find one line that I feel was either purposely changed to avoid being cliche, or... I don't know why they would make the creative choice they did other than to just do something different that wasn't so obvious. But in this case I feel the obvious lyrical choice would do the sentiment of the song so much Justice and it wouldn't detract from the lyric at all.

It's Okay
Lyrics
It's okay,
I don't even cry
all I think about is a memory
and the dream when you kissed my arm
as I look away, don't hear what I say
That maybe when I die,
I'll get to be a car
driving in the night
lighting up the dark.
something in your voice
it sparks a little hope
I'll wait up for that noise
your voice become my home
One way road, don't care what I find
A little thunder's good, I thought maybe you would
but it's okay, we all feel left out
sometimes growing up, it can get you down.
I give you something that no one's going to give you
my sleepin' skin and my heart deep down in you
I'll never tell you, but you're my little scar
Goodbyes are hard and they're hard and they're hard
Maybe when I die
I'll get to be a car
driving in the night
Lighting up the dark
Something in your voice,
sparks a little hope
I'll wait up for that noise
your voice becomes my home
Songwriters: Elizabeth Powell
It's Okay lyrics © Kobalt Music Publishing Ltd.


So here is the phrase:

Maybe when die
I'll get to be a car
driving in the night
lighting up the dark.


The obvious change:

Maybe when I die
I'll get to be a star
Shining through the night
Lighting up the dark

Poetic Embellishment:

Maybe when I die
I'll live on in your heart
Spirits intertwined
Never drawn apart

There are plenty of ways to spin it but none are necessary because Elizabeth sings the original with vulnerability and sincerity so potent that thr curious imagery of automotive reinCarnation is totally acceptable.


Saturday, April 1, 2017

Poetic License...or In Other Words #3

I've been sitting on this one for a minute, cause it's an easy fix in my head, and also one that adds a little something to the power of the song. What song?

My Name Is Human by Highly Suspect

https://genius.com/Highly-suspect-my-name-is-human-lyrics

I'm only of a mind to tweak 1 line in the main chorus that goes:

"Get up off your knees, boy
Stand face to face with your God
And find out what you are(Hello, my name is human)Hello, my name is humanAnd I came down from the stars(Hello, my name is human)"


It's ironic that the only phrase I have a problem with is the title of the song when it's echoed. There's just so much potential there for pathos since this is in essence a sing-a-long chorus. My first thought was to just change the phrase to:

Get up off your knees
Stand face to face with your God
And find out what you are
(I know I'm only human)
Hello, my name is human

And I cam down from the stars
(I know I'm more than human)


Either of those replacement lines work, and there's no need to use both, but I like the way using both represents the conflict people have with their ideas about their limits and their potential. It's a representation of the existential dilemma that comes with reconciling consciousness, mortality, and, infinity.

Regardless, I dig the song and the way it uses a cadence you'd heard in contemporary r & b for the delivery of the verses. It's the modern equivalent of a spoken verse, but with melody and rhythm giving it a coolness that doesn't compromise the groove. It allows for the the wordplay to be so straight-forward, but still deceptively clever, in plain spoken vernacular. Tweaking those two lines would have been the final revision that put it over the top for me, though credit where credit is due, if you can't get people to sing something that in context, sounds kind of odd, you've struck musical gold.